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DIGITAL MEDIA

  • Art in the Age of Algorithms: The Transformation of Production, Power, and Value
    2 June 2026

    Art in the Age of Algorithms: The Transformation of Production, Power, and Value

    Gökhan Çolak
  • Rethinking Digital Culture: From New Media to AI, Algorithms, and Cultural Analytics
    26 May 2026

    Rethinking Digital Culture: From New Media to AI, Algorithms, and Cultural Analytics

    Gökhan Çolak
  • Circulation of Knowledge, Transformation of Culture The Future of Authorship in Digital Media with Jessie Krahn
    5 May 2026

    Circulation of Knowledge, Transformation of Culture The Future of Authorship in Digital Media with Jessie Krahn

    Gökhan Çolak
  • 28 March 2026

    Curatorial Thought and the Transformation of Contemporary Art: A Conversation with Elettra Fiumi on Cultural Production

    Gökhan Çolak
  • 22 March 2026

    From Excellence Theory to the Digital Age: The Evolution of Public Relations An Interview with James E. Grunig

    Gökhan Çolak
  • 15 March 2026

    The World Behind a Face: The Human and Narrative-Oriented Aesthetics of Photography with Doro Guzenda

    Gökhan Çolak
  • 10 March 2026

    The Communicative Construction of Visual Design from Theory to Digital Media: A Theoretical Perspective on Cinema, Image, and Poetic Thought with Dr. Esen Kunt”

    Gökhan Çolak
  • 7 March 2026

    Creative Labor, Visibility and Resistance in the Platform Society: Jess Rauchberg on Influencer Culture, Digital Activism and Marginalized Experiences

    Gökhan Çolak
  • Information Integrity and the Public Sphere: Contemporary Challenges of Journalism in a Post-Truth World
    6 March 2026

    Information Integrity and the Public Sphere: Contemporary Challenges of Journalism in a Post-Truth World

    Gökhan Çolak
  • The Future of Journalism in a Digital World:                                A Conversation with Caitlin Barker at the Intersection of Culture, Politics and Society
    6 March 2026

    The Future of Journalism in a Digital World: A Conversation with Caitlin Barker at the Intersection of Culture, Politics and Society

    Gökhan Çolak
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The name PR Carnet represents a symbolic expression of an interdisciplinary approach. The abbreviation “PR” refers to the public communication dimension of the field of Public Relations, the processes of social interaction, and the responsibility of strategic communication. The term “Carnet,” on the other hand, evokes the notion of a report card, signifying a holistic framework in which performance, knowledge production, ethical conduct, and multidimensional academic competencies are evaluated together. In this context, a report card is understood not merely as a transcript of grades, but as a multilayered record through which an individual’s cognitive, behavioral, and practical competencies are assessed collectively.

In addition, the term “WORLD” indicates the adoption of a global media vision and the principle of universal alternative publishing. The concept of WORLD symbolizes a transnational understanding of communication that connects different cultures, disciplines, and forms of knowledge production, aiming to bring local academic production into dialogue with a global intellectual perspective. In this sense, it signifies not only geographical expansion, but also a pluralistic, critical, and universal publishing philosophy.

Therefore, even at the level of its name, PR Carnet World represents a tradition of thought nourished by multiple disciplines, one that evaluates theoretical and practical production together and approaches academic performance from a holistic perspective. In this respect, PR Carnet World constitutes both the intellectual and symbolic counterpart of the faculty structure proposed through the approach of Interdisciplinary and Applied Sciences.

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